Tag Archives: jenny boully

ICYMI: largehearted boy Publishes The Incredible Sestina Anthology Book Notes, Playlist

In a lot of ways, The Incredible Sestina Anthology is just one giant mix tape of sestina-awesomeness. What better way to showcase this than our very own Book Notes?

Daniel Nester’s TISA playlist includes everything from opera to the Lone Ranger theme song. For the full list, published this past Friday, click here.

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The Joy of Six: Albany Times Union’s Sweet Article on Incredible Sestina Anthology

EPSON MFP image

 

In case you missed this awesomeness, Albany Times Union‘s Elizabeth Floyd Mair interviewed TISA editor Daniel Nester for a piece that ran in this past Sunday’s paper. Check the sweet title, The Joy of Six! Plus the first two stanzas of Laura Cronk’s “Sestina for a Sister in the sidebar.

The article is available online for your reading pleasure. The jump includes the sestina end-word scheme, pictured below.

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Incredible Sestina Anthology goes on the road!


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If you’ve been checking out the events page here, you might know this already, but we’ve added some tour dates for early next year! Chicago, Philadelphia, New York, Seattle: you are in luck. Sestina luck!

Details below. Stay tuned here for launch readings and other incredible events!

Sunday, November 17, 2013
O.P.P.: Other People’s Poetry
featuring Daniel Nester reading from The Incredible Sestina Anthology
6pm
Social Justice Center
33 Central Ave
Albany, NY 12202
Sponsored by The Social Justice Center
Facebook event page

Tuesday, January 14, 2014
Drexel/Painted Bride Quarterly
Philadelphia, PA

Wednesday, January 15, 2014
Upstairs at Fergie’s Pub
7pm
Ernest Hilbert and others read from The Incredible Sestina Anthology!
Philadelphia, PA

Saturday, February 1, 2014
New York Launch Reading of The Incredible Sestina Anthology
With David Lehman, Sharon Mesmer, Sparrow, Victor D. Infante, Patricia Carlin, Jason Schneiderman
3pm
Poets House
Ten River Terrace (at Murray Street)
New York, NY 10282
Subway: 1, 2, 3, A or C lines to Chambers Street Station
Detailed directions here

Tuesday, Feburary 4, 2014
Poetry Forum at The New School
with David Lehman

Wednesday, February 19, 2014
NYU Bookstore
Scott Edward Anderson, Patricia Carlin, Victor D. Infante, Jason Schneiderman
6pm
726 Broadway
New York, NY 10003
212-998-4678

Friday, February 21, 2014
Chicago launch of The Incredible Sestina Anthology
Quraysh Ali Lansana, Marty McConnell, Leonard Kress, Kent Johnson, Jenny Boully, Elizabeth Hildreth
The Book Cellar
7pm
4736 N Lincoln Ave #1
Chicago, IL 60625
773-293-2665

Thursday, February 27, 2014
Seattle/AWP launch party for The Incredible Sestina Anthology
With Patricia Smith, Paul Hoover, Geoff Bouvier, Ravi Shankar, John Hoppenthaler, Sarah Green, Beth Gylys, Sharon Dolin, Nate Marshall, Tomás Q. Morín, Richard Peabody, Sonya Huber, Aaron Belz, Jade Sylvan, Kiki Petrosino, James Harms, Jeffrey Morgan, John Hoppenthaler, Jason Schneiderman, Sandra Beasley
Lucid
6pm
5241 University Way NE [map]
Seattle, WA 98105

Behind the Sestina: Jenny Boully on “Sestina of Missed Connections”

Jenny Boully is the author of five books, most recently of the mismatched teacups, of the single-serving spoon: a book of failures (Coconut Books). Her other books include not merely because of the unknown that was stalking toward them (Tarpaulin Sky Press),The Books of Beginnings and Endings (Sarabande Books), [one love affair]* (Tarpaulin Sky Press), and The Body: An Essay (Essay Press). Her chapbook of prose, Moveable Types, was released by Noemi Press. Boully’s work has been anthologized in The Best American Poetry, The Next American Essay, Great American Prose Poems: From Poe to the Present, and other places. She teaches at Columbia College Chicago.

We wouldn’t “miss” an opportunity to go Behind the Sestina with Boully to discuss her “Sestina of Missed Connections” featured in The Incredible Sestina Anthology.

When did you first discover the sestina?
When I was in my sophomore year of college, I took home the weekly packet for my creative writing workshop and was looking it over with another classmate. We were both stuck on one poem that seemed to break many rules of poetry that we had learned. Why does it keep using the same words over and over and repeating itself? We made notes to such affect. My classmate read the poem out loud to me in a mocking manner. It was about meeting someone and getting their phone number and looking at the number in a bathroom stall. The subject was incongruous with the good, engaged, devout Southern girl who wrote it. When the poem was workshopped, I then learned it was a sestina, and I forgave it its repetition and inability to move past a moment in a timely fashion.

Have you written any other sestinas beside this one? I can’t seem to find any evidence, and I have all of your books!
Part of me wants to say “yes” and send you on another hunting spree, because I like the idea of Daniel Nester the Sestina Hunter. I have written another sestina, but it was never published [I want to see it-Ed.]. It’s in my BA thesis. Someone gave me the end words, I wrote the sestina, then she got mad and said I stole her sestina. I also like the idea of Jenny Boully the Sestina Thief.

Where did you get idea of poem, of using the language of “Missed Connections” ads? Presumably from Craigslist?
I wrote “Sestina of Missed Connections” when I was working at a book publisher in New York. All the other Editorial Assistants and myself would entertain ourselves by reading Craigslist for some reason. “The Missed Connections”
section was always highly amusing and also sad. People who posted there seemed crazy, desperate, sad, hopeful. I also thought that sestinas were crazy, desperate, sad, and hopeful. The end words of sestinas seemed to be “missed connections” to me, especially when the writer got inventive with variations on those end words.

Have you ever placed a missed connections ad?
I have not placed a missed connections ad, but they continue to draw me in.

I have this idea that the language of missed connections speaks to other parts of your work–the idea of intimacy and language and the missed connections of meaning. Or am I completely off track?
You’re not off-track at all–and I love that you’ve come up with this rubric, which makes a lot of sense to me. I love the idea of the metaphor of “missed connections” and how it can play out in a multitude of ways, especially in reading, which is a major inspiration in my work–the idea of misreading books, the everyday, experience, relationships, trying to discern the mundane and the miraculous.

The first sestinas were always dedicated to someone—to whom would you dedicate your sestina?
I would dedicate this sestina to the woman who wrote that one sestina I encountered in my creative writing packet during sophomore year. I am only realizing now that both of our sestinas mention a phone number; her sestina was about a made connection, mine about a missed, however metaphorical.