Peter Davis writes, draws, and makes music in Muncie, Indiana. His books of poetry are TINA (Bloof Books, 2013), Poetry! Poetry! Poetry! (Bloof Books, 2010), and Hitler’s Mustache(Barnwood Press, 2006). He edited Poet’s Bookshelf: Contemporary Poets on Books That Shaped Their Art (2005) and co-edited a second volume, Poet’s Bookshelf II (2008). His poems have appeared in such places as Jacket, La Petite Zine, Court Green, Rattle, and The Best American Poetry. He lives with his lovely wife and two lovely children, and teaches at Ball State University.
In honor of “Movember,” we thought it was the perfect time to go Behind the Sestina with Davis and talk about his “Mustache Sestina,” featured in The Incredible Sestina Anthology.
When did you first discover the sestina?
Not sure exactly, but I never wrote one till I was getting my MFA. One of my teachers, a sestina lover, told me to write a sestina about August, or something like that. For some reason I don’t entirely understand, I thought it was a lot of fun.
Have you written sestinas before this one or since?
O yea. The book this comes from, Hitler’s Mustache, has 3 or 4 sestinas and for a while I toyed with the idea of writing a series of sestinas about the original Beverly Hills, 90210 TV show. I wrote one where all the end words were either “Dylan” or “Brenda,” and another with the end words, “Brandon,” “Brenda,” “Kelly,” “Donna,” “Dylan” and “Steve.” I’ve written many sestinas, most, obviously, are very forgettable.
Can you describe writing this sestina? Did the subject matter of the sestina have an impact on the form used, or did the form have an impact on what you were writing about?
As to the second question, yes and yes. Obviously, the image of Hitler’s mustache is, to me, one of mystery. It is a square box of darkness. And in that darkness is a whole host of mysteries. In short, one mystery after another. But there is a repetitive formality in that mustache (imagine all of those individual hairs laying down together like that! Unreal!) and the sestina seems capable of handling repetitive formality. As to the first question, I’m not sure I can, but I’ll try. I was thinking about words. I was thinking about mustaches. It happened pretty fast.
Most obvious question. Why Hitler? Then, mustaches. Why?
Because of the mystery. How is it that our face of evil in contemporary culture also is the ridiculous face of Hitler? How often is evil the face of a clown? How often, through a mustache, do we see the deep anomaly in human nature? How many questions can be asked about what motivated that square patch of hair? The intersection of fashion and fascism.
The first sestinas were always dedicated to someone—who would you dedicate your sestina to?
I should probably dedicate everything I do to my wife, since she supports me and takes care of me, but that’s boring. The other obvious person would be Hitler, but that’s too obvious. So, I’d dedicate it to Julius Stricher, the only other really prominent Nazi who sported a Hitler mustache. He could have stood to hear some contemporary American poetry. It might have done him some good. So, For my wife, and Julius Stricher.
–Interview conducted by Jessica Furiani